Our Interview with Béla Fleck

By Mia Germain
By Mia Germain

Rhythm, Blues, and Appalachian Murder Ballads

Béla Fleck & Abigail Washburn coming to the Zeiterion Theater this Sunday, April 12th, 7PM

Fifteen-time GRAMMY winner, Béla Fleck, and his wife Abigail Washburn have teamed up for an incredible example of the versatility and musicality of the banjo. Stringing together influences from jazz to appalachian murder ballads, the unique result is entirely captivating and a true feat of art. Both industry giants on their own, this partnership has proved to be one of talent, creativity, and ingenuity. The culmination of their eclectic relationship is a moment in music history that is not to be missed. For tickets please visit http://www.zeiterion.org/

I had the pleasure of interviewing Béla, where he revealed his love for the Massachusetts Southcoast, the trifles of being a couple in a group, and what we can hope to see from the duo in the future.

Mia Germain – Have either of you been to this area before? If so, what are your favorite things about the south coast of Massachusetts?Béla Fleck – I have had the good fortune to play New Bedford at least 3 times that I can remember and possibly 4!I’ve played there with The Flecktones, with the African Project, and in duet with Chick Corea. I’m so happy to get to play there again, with my wife Abigail Washburn.Also I used to live in Boston – way back – and I spent a lot of time in the area. I love it.

Photo by Jim McGuire
Photo by Jim McGuire

Mia Germain – Both of your careers have taken you to incredible places around the world, how does place and setting influence your music?

Béla Fleck – I feel like a great experience can happen anywhere, and some of the best are outside of the major cities.

Audiences really appreciate your visit, and you also don’t compete with as many shows for attention.

That said, it’s fun to play ‘destination gigs’ like Telluride Bluegrass Festival, or Newport Folk/Jazz Fests, where the location is part of the draw.

Give me a funky old theatre though, and I get comfy and tend to play at my best.

Mia Germain – You have done some informal collaborations before this album, but what is the musical dynamic between you like when it is all off the record-before this album and now?

Béla Fleck – Abby and I have been playing together since we became a couple, music is a part of our couplehood.

And when we formalized that natural collaboration, and started taking it on the road, it was an unexpectedly smooth transition.

We are very comfortable with each other, and there is a lot of trust, so sometimes it means we push each other into unfamiliar waters, and take more risks that we might in a less safe environment. But mostly it just flows and we have a lot of fun playing our banjos together.

Mia Germain – On this album, how was the collaboration and songwriting process as a couple different-or not-from both of your experiences previous?

Béla Fleck – This is the first one where it was just the two of us. That felt really good.

In the past, I have helped Abby to produce her albums occasionally, and we worked together with the Sparrow Quartet, a wonderful group featuring Casey Driessen and Ben Sollee. But being a couple in a group is a trifle awkward.

This is a very direct interaction with no one in between.

Bela-Fleck-Abigail-Washburn-Photo-by-Jim-McGuire
Photo by Jim McGuire

Mia Germain – How has this experience been, of touring as a family?

Béla Fleck – It’s truly ‘living the dream’, as so many people say to us.

So many of our musician friends have had to spend a lot of time away from their kids and partners in order to make the family bacon. In this situation we get to do it together, and be with our son Juno most of the time. He’s acclimated well to the touring life, and we have a very special touring team who take care of him when we get busy. It’s very sweet.

Mia Germain – Obviously, the birth of your son was instrumental in the timing of this long-awaited collaboration, but how has he influenced your own musicality, and what effect can we hope to see in the future from his presence in your lives?

Béla Fleck – Having a child makes a lot of things instantly clear – and what’s important becomes very obvious very fast. So as a couple – it’s no longer just about us, and we have embraced that. He also changed me from someone who really couldn’t relate to kids that well to someone who really enjoys them.

As far as the music, my music has benefited from becoming less important in the scheme of things. I think I was overly obsessed with music sometimes, and it didn’t always make the music better – it just made me edgy and nervous. Playing music feels very joyful and complete now.

And also I’ve written a few things that I just wouldn’t have written before I became a father.

But Abigail is a huge influence on me too, and playing with her has brought out the more sensitive and melodic parts of my playing. I love it…

For more about Bela Fleck and Abigail Washburn, their self-titled album, and future performance dates, please visit http://mediakits.concordmusicgroup.com/p/bla-fleck–abigail-washburn/index.html




Musician Spotlight: Mike Mahoney of Pearly Baker

Butch McCarthy
by Butch McCarthy

As one of the founding members of the Pearly Baker band, Mike Mahoney is considered one the godfathers of New Bedford music. Recently I interviewed Mike, and here’s what we talked about:

Butch: Tell me about the line-up for Pearly Baker Band.

Mike: Ken Richards, Tim Richmond, Terry Sullivan, Jim Novick, and Eric Costa.  Terry broke a bone in his shoulder, so Geoff Fortin has been called up to fill in while Terry is on injured reserve.  My longtime friend Art Tebbetts has also performed with us, and is a founding member of the Pearly Baker Acoustic Trio, along with Ken and myself. We play a few times a year.

pearly baker new bedford guide
Pearly is (L to r) Ken Richards, Jim Novick (hiding behind drums), Mike Mahoney, Terry Sullivan (drums), Tim Richmond, and Eric Costa.

How did you get involved with music?

Mike: The Beatles on Ed Sullivan. 1964. I was ten-years-old. It sparked something in me that was powerful; I wanted to look like them, sound like them, and run around like they did in A Hard Day’s Night. Still do really. My friends and I recreated their stage set in a basement where we performed Beatles songs long before we had instruments. We even turned a coffee table into a drum riser to mimic Ringo.

I got my first guitar when I was in fifth grade. A kid up the street named Tom Delany showed me chords and how to strum and tune it. I formed a couple of bands in junior high, played “Louie, Louie” at the 8th grade dance, and then got into folk music for a stretch in high school.

What is your latest project?

Mike: Pearly Baker celebrated our 25th anniversary last year by booking ourselves into the Zeiterion and donating all the proceeds from the show to charity. We raised $18,000 for the United Way Hunger Commission, which is the outfit that supplies most of the food pantries on the SouthCoast.  The people seemed to enjoy the show, and the band had a ball playing on that stage.  Afterward, the consensus was that it should be an annual event…so our latest project is to do it all again!

The concert will take place on May 7, and, like last year, every nickel we raise will go to the charity, to help feed the hungry people in our community.  Check out “2nd Annual Pearly Baker Bash” on facebook for the details.  Also on facebook, you can access Pearly Baker at “I Love Pearly Baker”.  For the record, a fan started this group, and then shared administrative powers with me.  Had we started the site ourselves, it would have a different name.

Who are your musical influences?

Mike: Grateful Dead, Rolling Stones, The Beatles, The Who, J.J. Cale, Zappa, CSN, Bob Dylan, Celtic music, Bach, Beethoven, Mozart, Stravinsky, Miles Davis, Charlie Parker, John Coltrane, Thelonius Monk, Oscar Peterson, Glenn Miller, and a whole host of folk musicians.

i love pearly baker new bedford guide
Pearly Baker Loves You.

What is your favorite movie?

Mike: My favorite movie is Brazil, directed by Terry Gilliam and starring Robert De Niro.

What do you like about the current music scene?

Mike: Assuming you mean the commercial music scene, the Grammys and that, I don’t actually consider most of it music. It’s just product tailored to the lowest common denominators; a collection of hooks and beats. I appreciate Taylor Swift, Pink, and Gwen Stefani. Eminem and Jay-Z amuse me at times.

What kind of guitars and gear are you using?

Mike: I have a custom-made, one-of-a-kind by Carvin guitars. It is a model DC127, koa wood body, ebony fingerboard, tobacco sunburst finish with Sperzel locking tuners and a Wilkinson tremolo system. I’ve owned it for 21 years.

My amp is a Rivera R100-212.  It’s the same amp Vince Gill has used for years. Paul Rivera was an amp designer for Fender for many years until he went off on his own, and he’s known for the high degree of workmanship in even his baseline amps. For instance, point-to-point soldering (instead of stamped circuit boards) and other production values normally associated with boutique amps that cost many times more.

Those are my workhorses. I have a fake Tele and a Strat and a Fender Princeton and some other practice amps. I have some acoustics, and a classical guitar I putz around the house with. I still have the first guitar I ever owned-some Sears monstrosity. It isn’t playable right now, but someday I intend to restore it.

My new favorite toy is a digital recorder “sketch pad,” a Boss Micro BR. It is an amazing device. It’s about the size of two decks of cards, but it contains a full gallery of guitar effects, programmable rhythm tracks, in-board tuner, internal mic, as well as dedicated mic and guitar inputs. It’s a fully functional 4-track recorder, with 8 virtual tracks per track, but it’s best used to capture that fleeting musical thought you might stumble upon.  In under a minute of setup you can be recording a vocal and a guitar part at the same time.

mike mahoney new bedford guide pearly baker
Mike Mahoney(center) playing guitar.

 

Where do you perform usually perform?

Mike: Pearly Baker plays at the New Wave Cafe every Tuesday starting at around ten thirty-ish. Ken, Art and I play a couple of times a year as the Pearly Baker Acoustic Trio at the Kinsale Inn in Mattapoisett, and of course, we are playing the Zeiterion on May 7.

What is the current status of your long-running Tuesday Night Pearly gig?

Mike: Well right now we’re in a bit of a bind. Our latest venue, the New Wave Cafe, where we’ve been playing every Tuesday for the last year, is closed for re-modeling. We were told it was going to be one or two weeks tops, but last night was the third week it was closed, but there’s hope it will be open very, very soon. Recently we teamed up with Pearly’s 7th member, Art Tebbetts, and had a fun night at the Black Watch Pub, playing wooden music and singing fun harmonies.  But the plan is to get back to the New Wave when it’s ready.

mike mahoney pearly baker new bedford guide
Mike with his wife Irene, and their daughter Aubrie.

Do you have a day job?

Mike: I’m a graphic designer at UMass Dartmouth, working in the publications office.

When you go out locally, what bands do you go see?

Mike: I’m mostly a stay-at-home kinda guy these days. I go to see Marcus Monteiro when I can.  I’ve seen McCarthy, Richards and Legge a few times, Neal McCarthy Problem, and of course, Ken and Neal with the JRS at Freestone’s.

The 2nd Annual Pearly Baker Bash to benefit United Way Hunger Commission will be held at the Zeiterion Theater May 7 at 7PM.